Arcade Fire First Person Shooter with Nikon D4s, Nikon 200-400 VR II and GoPro
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Using a Nikon 200-400 F4 VR II generally is not recommended for shooting from the photo pit of a concert where the pit has 15 photographers and no room. The original idea was that I would order the 200-400 in from BorrowLenses since I would be shooting from the soundboard. Well, that ended up not being the case and I still wanted to use this lens to shoot a concert.
I prefer shooting small to medium sized bands at smaller venues because there tends to be a lot less bs when it comes to shooting. This show was a pretty big band at one of the large venues you can play in Philly. This means a different protocol then normal.
Let me paint the picture for how a night shooting at one of these venues goes. You show up plenty early and head down to the media entrance of the stadium. You walk downstairs and you are held like cattle in a waiting area to get into the downstairs part of the stadium. Now this generally isn't to bad but with 15 photographers filling up the entire space it can get a little close.
On the flip side it's always nice to meet and converse with fellow photographers before a show. You trade war stories, talk about gear, talk about the industry and pretty much just shoot the shit.
After waiting for an hour or so a PR person and a PR intern gather you up to take you out to photograph the opening act. It's kind of like lining up in school to be walked to an assembly. There always is a new intern, these companies love hiring people that they don't have to pay.
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Using a Nikon 200-400 F4 VR II generally is not recommended for shooting from the photo pit of a concert where the pit has 15 photographers and no room. The original idea was that I would order the 200-400 in from BorrowLenses since I would be shooting from the soundboard. Well, that ended up not being the case and I still wanted to use this lens to shoot a concert.
I prefer shooting small to medium sized bands at smaller venues because there tends to be a lot less bs when it comes to shooting. This show was a pretty big band at one of the large venues you can play in Philly. This means a different protocol then normal.
Let me paint the picture for how a night shooting at one of these venues goes. You show up plenty early and head down to the media entrance of the stadium. You walk downstairs and you are held like cattle in a waiting area to get into the downstairs part of the stadium. Now this generally isn't to bad but with 15 photographers filling up the entire space it can get a little close.
On the flip side it's always nice to meet and converse with fellow photographers before a show. You trade war stories, talk about gear, talk about the industry and pretty much just shoot the shit.
After waiting for an hour or so a PR person and a PR intern gather you up to take you out to photograph the opening act. It's kind of like lining up in school to be walked to an assembly. There always is a new intern, these companies love hiring people that they don't have to pay.
To connect with FroKnowsPhoto please follow below
http://froknowsphoto.com/flashguide/ Check out the FroKnowsPhoto Flash Guide.
http://froknowsphoto.com/fro-video-guide/ FroKnowsPhoto Beginner Guide
http://store.froknowsphoto.com/
Facebook: http://www.facebook.com/froknowsphoto
Twitter : http://www.twitter.com/froknowsphoto
Google + : https://plus.google.com/u/0/116504838384158630416/
Please Subscribe http://www.youtube.com/subscription_center?add_user=jaredpolin
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